Does anyone have pictures of this bass, or have you seen it in person? But LaFaro had a pronounced Dolphy streak too, in that both musicians were playmakers, facilitators, helping others to raise their games by playing theirs at the highest level. That is what so many families Sunday ritual were like. LaFaro's death took an enormous emotional toll on Bill Evans, who was, according to drummer Paul Motian, "numb with grief," "in a state of shock," and "like a ghost" after LaFaro's death. - The Absolute Sound Scott LaFaro's Pieces of Jade features long-lost material recorded in New York City shortly before the bassist's death in a car accident in 1961. Bill had first heard Scotty with Chet Baker three years earlierNot long after we were back off the Goodman tour, there was a call waiting for Scottythat Bill wanted him to work with him., The first meeting of what became known as the trio took place at a Tony Scott recording date on October 28 and 29, 1959. Free Jazz did that kind of splicing and segmenting for you, as part of, neatly enough, its original integrated sonic package. For much of 1958, LaFaro was with pianist/vibraphonist Victor Feldman's band. He's seen here playing "Cherry" and "Chart of My Heart" with saxophonist Richie Kamuca's Quintet on a Stars of Jazz television broadcast on April 7, 1958. ~ Charles A. Ralston, A Site About Dead Musicians and how they got that way. Bill Evans came to hear Scotty in New York City, and since he was needing a bass player and Scotty was then playing at a nearby club, he stopped in to listen. I dont blame him, said Morrow. LaFaro achieved fame in the Bill Evans Trio, which he joined in 1959 and which featured Paul Motian on drums. [citation needed], By late 1960, LaFaro was in demand as a bassist. Evans also went on hiatus after LaFaro's death for a period of several months. [10] The bass was badly damaged in the automobile accident that killed him, but was eventually restored and is sporadically used in performance to honor LaFaro. Pianist Walter Norris described him as a "wild fire," and said "he never used any stimulants to enhance life, but his every moment was seriously lived to the fullest." Little was as star-crossed as LaFaro, and hes usually talked about in conjunction with altoist Eric Dolphy as often as LaFaro is with Evans. Nearly six decades later, Helene LaFaro-Fernandez continues to keep her older brothers flame alive. Labels. Around this time he received a greeting card from Miles Davis suggesting that Davis wanted to hire him. Remembering Geneva's jazz legend Scott LaFaro: An interview with his sister Helene LaFaro-Fernandez - Smith Center for the Arts Smith Center for the Arts CONTACT US 82 Seneca Street Geneva, NY 14456 315-781-5483 BOX OFFICE Tuesday-Friday 10am-4pm ADMINISTRATIVE OFFICES by appointment boxoffice@thesmith.org I get 10 to 12 emails a day asking about Scotty. 52.119.1.55 It has rolled corners on the bottom and very sloped shoulders on the top, making it easier to get in and out of thumb position. He says that word of the accident reached Getz over the wire through his manager Jack Whittemore, and that all were incredulous at the news. Just about any jazz fan knows that on June 25, the 25-year-old had been in NYC as part of Bill Evans trio at the Village Vanguard, cutting the Sunday live date that will be reissued and repackaged so long as the earth continues to spin. What happened to your brother after Ithaca College? Chicago, 1956. It wasnt until he left for Ithaca College, where music majors were required to play a stringed instrument, that he first played bass. [1] He played in groups at the College Spa and Joe's Restaurant[4] on State Street in downtown Ithaca. He had an incredible ear. One may even ask the question whether it is possible to love jazz and not love Sunday at the Village Vanguard and Waltz for Debby, and I dont think youre being a curmudgeon if you stamp a foot and issue an emphatic No, by Jove!. At that years Monterey Jazz Festival, LaFaro performed with both the Coleman Quartet and Gunther Schuller. The 25-year-old Scott LaFaro's death in a car accident shortly after was a major shock to the jazz world. An investigation is underway after two people were killed in a crash involving a big rig along the . In May 1960, the Bill Evans Trio joined in a program at Circle in the Square that was devoted to Gunther Schullers jazz compositions. The National Endowment for the Arts (NEA) has We calculated our top 40 new releases of 2022 We calculated our top 10 historical/reissue You never quite knew what Chicago bassist Kelly Sill was going to play (or what he was going to say). On Sundays our family would go to church, then go to the movies in the afternoon. Having followed him out to Los Angeles in the late 1950s along with the rest of the LaFaro family, LaFaro-Fernandez still lives in California and continues to answer daily inquiries about her brother, conduct interviews, and ensure his legacy will inform musicians and fans for generations to come. Bassist Marc Johnson, who was with Evans between 1978 and his death in 1980, wrote in the liner notes forPieces of Jadethat the Vanguard performance was the highest measure of Scotts musical vision. InJade Visions, he says, I must have listened to those recordingsthousands of timesTo this day, I still dont see how Scott articulated his ideas with such startling clarity and velocity., Johnson also speaks for the continuing hold that the recordings have on listeners touched by their emotional richness. He stuck with his new hire, offered Scotty the option of plane fare to New York or L.A., and showed him the door. Evans stopped performing for several months. Performers: Bill Evans, p; Scott LaFaro, b; Paul Motian, d. Village Vanguard, 25 June 1961. Then wed go home and have dinner and ice cream. LaFaro and his stellar bandmates pianist Don Friedman and drummer Pete LaRoca run through four jazz standards, including two takes of Sacre Blu. On March 5, 2014, the Geneva (New York) City Council approved making April 3 Scott LaFaro Day. New England Public Media | Three of the tunes from their setBaubles, Bangles and Beads; Where Do You Go; and Airegin were released on CD in 1994. Once he got the gig, his college days were over. Composer: Gillespie Scott was already playing like that with Bill., Recorded on November 29, 1960, the four-song session wasnt officially released until 2005. He was a musician from age 4. Everyone would say Dont go to the creek! but we did anyway, and would come home with red shoes. Composer: Porter: Genres. It was there his career exploded. A master of the upright bass, he recorded with Bill Evans and Ornette Coleman before he died in a car crash at age 25. Born in Newark, New Jersey, United States,[1] the son of a big band musician, LaFaro was five when his family moved to Geneva, New York. According to Paul Motian, the death of LaFaro left Bill Evans "numb with grief", "in a state of shock", and "like a ghost". [1] With Evans and drummer Paul Motian he developed the counter-melodic style that would come to characterize his playing. Gloria Gabriel was one of the dancers. This is the best piano player Ive ever heard. It was Evanss 1956 debut album,New Jazz Conceptions. It originally appeared as a solo piano piece on Evans' debut album, New Jazz Conceptions. 2023 Viacom International Inc. All Rights Reserved. Performers: Pat Moran, p; Scott LaFaro, b; Gene Gammage, d. 1958. It remains what is likely Evans' most well-known song,[citation needed] one that he would play throughout his career. Your family ended up following Scotty out to California. Waltz for Debby is a live album by jazz pianist and composer Bill Evans and his trio consisting of Evans, bassist Scott LaFaro, and drummer Paul Motian. In addition to hosting Jazz la Mode since 1984, Tom writes the jazz blog and produces the Jazz Beat podcast at NEPM. His records with Bill Evans are among the finest jazz trio discs ever made. He died near Geneva in an auto accident in 1961. Jan. 30, 2021 1:47 PM PT. Smith Opera House is owned and operated by the Smith Center for the Arts, a private not-for-profit 501(c)(3) corporation. LaFaro died in an automobile accident on July 6, 1961 in Flint, New York on U.S. Route 20 between Geneva and Canandaigua, four days after accompanying Stan Getz . Pianist Pat Moran, who led a trio that Scott toured and recorded with in 1958, says he was was very aware of his genius and used to love to go into clubs and intimidate bass playersHe was quite a character, lots of fun. Moran is little known today as Patti Moran McCoy, butin 1960 LaFaro was quoted ina profile written by Martin Williams forJazz Review, I dont even like any of my records except maybe the first one I did with Pat Moran., https://www.youtube.com/watch?v=2HAbUcKTdcI. Both Nat Hentoff and Ralph J. Gleason took note. Christian said, Scottys playing was the bible for bass playersJimmy Blanton the old testament, Scotty the new., LaFaro spent the evening of July 5 with old friends in Geneva then drove 80 miles west with Frank Ottley to visit another friend in Warsaw who was house-sitting at a place with a good stereo. Ornette drew mixed reviews everywhere including Monterey, where his performance of Youll Never Know elicited a scathing review from John Tynan, who said it was patently bad, disturbed, and utterly unhappy. Still, he singled out LaFaro for his brilliant technique and ideas [that] were remarked on by all., Scotty was given to introspective thoughts about where the music was going and what he recognized as the increasing distance between jazzs new direction and the public. We were the kind that played a fraction, a millimeter behind. Mangione remembersLaFaro calling Baker an American tragedy, and says, Over the years, [Scotts] using the term an American tragedy still strikes me as incredibly ironic and portentous [given what happened] that night., At about 1:45 on the morning of July 6, LaFaro apparently fell asleep at the wheel and veered off Route 5-20, hitting a tree and killing himself and Ottley instantly. Elsewhere, a legacy is a reflection on what might have been, based on a limited amount of what was. Man, woman decapitated after car slams into big rig on 5 Freeway in San Fernando Valley. LaFaro left Morrow and settled in Los Angeles in 1957. Fraternal guidance, in that this endeavor allowed fellow band members to do what they best did. Steve Kuhn, who felt a brotherly kinship with Scotty and says his sudden death was the first major loss of my life, describes him as very strong-willed. (He also says that LaFaro, who was a fan of Formula One and sports car racing, drove a little too friskily for my taste.) A case in point was LaFaros departure from Kenton, which was precipitated by his displeasure with the bands new drummer, a situation that would repeat itself in 61 when he insisted that Stan Getz replace drummer Pete LaRoca. I quit very fast, but he was a natural. Lets call it the chimerical voice of the rhythm sectionas well as what could often be the lead instrument when LaFaro was in your band. Thats his brand of intimacy: the sensation of the stolen moment. But its a moment were meant to be a part of, that both surrounds us and is for us. I remember one time Scotty came home with an LP under his arm. In high school Scotty played clarinet and tenor saxophone, in spite of not being happy about a lip injury he got playing basketball at the Y. The 25-year old Scott LaFaro's death in a car accident shortly after was a major shock to the jazz world. Scott LaFaro was born 64 years ago today. A Dead Musician Directory Celebrity Page. The Sampson Air Force Base was so big that it brought in big names like Duke Ellington. LaFaro continued to divide his time between Getz, Ornette, and Evans in 1961. The 25-year-old Scott LaFaro's death in a car accident shortly after was a major shock . 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